Will kemp was?
Key Terms
Who composed "I mangnum mysterium"?
A Giovanni Gabrieli
B Claudio montervrdi
C Henry Purcell
D arcangelo corelli
A Giovanni Gabrieli
What is the genre of "O mangnum mysterium"
A mass
B Motet
C madrigal
D Pavan
Motet
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| Term | Definition |
|---|---|
Will kemp was? | An actor in Shakespeare's plays |
Who composed "I mangnum mysterium"? A Giovanni Gabrieli B Claudio montervrdi C Henry Purcell D arcangelo corelli | A Giovanni Gabrieli |
What is the genre of "O mangnum mysterium" A mass B Motet C madrigal D Pavan | Motet |
The style heard in "O mangnum mysterium" is typical of music from | 16th century Venice |
Which compositional technique do you hear in "O mangnum mysterium" | Echoing semichords |
What are the performing forces in "o mangnum mysterium" | Choirs, brass instruments and a organ |
The two elements that most bring about the change of mood in the "Alleluia" section of "O mangnum mysterium" are: | Tempo and meter |
Which describes the use of meter in "O mangnum mysterium"? | The meter is sometimes duple and sometimes tripleb |
In which section of "O mangnum mysterium" do you hear the most echoing"? | Alleluia |
Which musical technique do you hear in the first and last sections of "O mangnum mysterium" A sequence B points of imitation C isorhythm D plainchant paraphrase | A sequence |
The singer's In The Coronation of Poppea are: | 2 females: a mezzo soprano and a soprano |
In the opening recitative of The Conornation of Poppea, there is | No identifiable meter |
Who composed Dido and Aeneas A Giovanni Gabrieli B Claudio Monteverdi C Henry Purcell D Arcangelo Corelli | C Henry Purcell |
Dido and Aeneas is an | Opera |
Where was Dido and Aeneas composed | England |
There was ___ sections in act III, final scene of Dido and Aeneas. They are a ___ | Three; recitative, an aria and a chorus |
How can you tell when the aria portion of the final scene of Dido and Aeneas has begun? | The rhythm settles into a regular meter |
In which section of the final scene of Dido and Aeneas do you hear a ground bass | The aria |
When does the chorus begin to sing the final scene of Dido and Aeneas? | After Dido stabs herself |
What textures do you hear in the closing of Dido and Aeneas? | Polyphony and then homophony |
The composer of this suite I'd A Giovanni Gabrieli B Claudio Monteverdi C Henry Purcell D Girolamo Frescobaldi | D Girolamo Frescobaldi |
Who were the most important composers in Venice around 1600? | Andrea Gabrieli and Giovanni Gabrieli |
Where did the Gabrielis work? | St. Marks cathedral in Venice |
"O Magnum Mysterium" was written for | Christmas |
Which composer was the first whose music was attacked for being too radical? | Claudio Motnteverdi |
Who is known as the "last great madrigalist and the first great opera composer"? | Claudio Motnteverdi |
During which phase of Monteverdi career did he composed The Coronation of Poppea? | It was late in his career |
The plot of monteverdi's Coronation of Poppea involves | Nero; his mistress, Poppea; his wife, Ottavia; and his adviser, Seneca |
Who Is considered to be the greatest English composer of the Baroque period | Henry Purcell |
Purcell wrote the first English examples of which genre | The Sonata |
What was the source for Dido and Aeneas A the bible B The Aeneid, by Virgil C a Shakespearean play D an original play he wrote earlier in his career | The Aeneid, by Virgil |
"Remember me, but ah, forget my fate" I'd part of the text of: A "O magnum mysterium B the coronation of Poppea C "when I am laid" D Thy hand, Belinda | C "when I am laid" |
The foremost organ virtuoso of the early 17th century was | Girolamo Frescobaldi |
The keyboard virtuoso and composer who was influenced a century later by Frescobaldi's music was | Js Bach. |
Frescobaldi's suite consists of a conzona followed by | 2 dances and a set of variations |
The passacaglia in Frescobaldi's suite bears a close relationship to the A galliard B stylized dance C Ostinato D canzona | C Ostinato |
Who are the two most important composers of the late Baroque period | Js Bach and Handel |
Who was the leader monarch in the age of absolutism | Louis XIV of France |
Baroque composers were likely to think of themselves as | Craftspeople, creating a product on demand |
The three main insitutions. Where baroque composers could make a living were | The church the opera house And the court |
In the early 18th century, court musicians had a better sense of new musical trends than church musicians because | They were required to travel with their employees |
The orchestra of the court of Louis XIV was called the | "24 violins of the king" |