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Exploring Conflict and Heroism in Thunder on Sycamore Street and The Odyssey - Document preview page 1

Exploring Conflict and Heroism in Thunder on Sycamore Street and The Odyssey - Page 1

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Exploring Conflict and Heroism in Thunder on Sycamore Street and The Odyssey

A quiz focused on analyzing themes of conflict and heroism in two literary works: "Thunder on Sycamore Street" and "The Odyssey."

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Exploring Conflict and Heroism in Thunder on Sycamore Street and The Odyssey - Page 1 preview imageExploring Conflict and Heroism inThunder on Sycamore StreetandTheOdysseyPlagiarism is 100% unacceptable and students should be aware of the fact that our teachers useTurnitin, a service that quickly checks a student’s submitted work against adatabase of billions of pagesof archived documents, to search for matching text.Please be sure to read, understand and follow these directions before completing. For the subjectivequestions, read the question carefully and construct a complete, well-written response. Make sure yourresponse is original and written in your own words. No question should be answered by directly copyingfrom a text or any other resourceQuestion 1Modern DramaIn this excerpt from Thunder on Sycamore Street, conflicts that arise between characters stem from alarger conflict not referred to directly.from Thunder on Sycamore Street by Reginald RoseFrank (to Clarice). Where's that sitter?Clarice. It's not time yet. Take it easy, Frank.[Frank gets up from the table, goes over to a box of cigars on top of the TV set, and lights one. Clariceand Roger watch him silently.]Clarice. Aren't you going to have some dessert, Frank? There's some cherry pie left.Frank. I'll have it later. [He puffs on the cigar.]Roger (low). I'm sorry, Dad.Frank (turning). Well, it's about time you learned some respect, d'you hear me? If I want you to knowsomething I'll tell it to you.Roger (softly). Okay . . .Clarice (quickly). Have some pie, honey. I heated it special.[Frank goes to the table and sits down. He puts the cigar down and Clarice begins to cut him some pie.]Clarice. How late do you think we'll be, Frank?Frank. I don't know.
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Exploring Conflict and Heroism in Thunder on Sycamore Street and The Odyssey - Page 2 preview image
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Exploring Conflict and Heroism in Thunder on Sycamore Street and The Odyssey - Page 3 preview imageClarice. Do you think I ought to pack a thermos of hot coffee? It's going to be chilly.Frank. Might not be a bad idea.[Frank now begins to show the first signs of being excited about the evening. He speaks, almost tohimself.]Frank. Boy, I can't wait till I see his face. The nerve of him. The absolute nerve. (Grinning) What d'youthink he'll do when we all-Clarice (looking at Roger). Frank . . .Frank (as Roger stares). Oh, yeah, go ahead, Rog. You can turn on your program.Roger. Gee thanks, Dad.[He jumps up, goes to the TV set and turns it on. Frank and Clarice watch him get settled in front of TVset. We hear dialogue from set faintly. Roger watches in background, enraptured.]Frank (quietly). What are they saying on the block?Clarice. I didn't speak to anyone. I was ironing all day.Frank. Charlie Denton called me at the office. I was right in the middle of taking an order from MartinBrothers for three A-81 tractors.Clarice. Three? Frank, that's wonderful!Frank. Not bad. Anyway, I made Mr. Martin wait while I spoke to Charlie. Charlie says it's gonna be onehundred percent. Every family on the block. He just called to tell me that.Clarice. Well, that's good. Everyone should be in on this.Frank (eating). Clarry, I'm telling you this is going to be a job well done. It's how you have to do thesethings. Everybody getting together first . . . and boom, it's over. I can't wait till it's started. It's been longenough.Clarice. I saw her out the window today, hanging clothes in her yard like nothing was wrong. She didn'teven look this way.Frank. What time is it?Clarice. Now you just asked me two minutes ago. It's about three minutes to seven. What's the matterwith you? You'll be getting yourself an ulcer over this thing. Relax, Frank. Here, have some more pie.Frank. No. No more.[He gets up and walks around nervously, slapping his fist into his palm. Roger is looking at him now. Heis tense, excited, completely caught up in the impending event.]Frank. This is something big, you know that, Clarry? We're getting action without pussyfooting for once.That's it. That's the big part. There's too much pussyfooting going on all the time. Can't hurt anyone'sfeelings. Every time you turn around you're hurting some idiot's feelings. Well that's tough, I say . . .
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Exploring Conflict and Heroism in Thunder on Sycamore Street and The Odyssey - Page 4 preview imageClarice (indicating Roger). Frank . . .Frank. He can hear! He's old enough. You want something bad, you gotta go out and get it! That's howthis world is. Boy, I like this, Clarry. You know what it makes me feel like? It makes me feel like a man![He stalks up and down the room for a few moments as they watch him. Then he goes to the windowand stands there looking out.]Clarice (quietly). I think I'll just stack the dishes.[She starts to do it. The doorbell rings. Roger jumps up.]Roger. I'll get it.[He goes to the door and opens it. Arthur Hayes stands there a bit apologetically. He wears no overcoat,having just come from next door. He looks extremely upset.]Arthur. Rog, is your dad in?Roger. Sure. Come on in, Mr. Hayes.[Arthur walks in slowly. Frank turns around, still excited. He goes over to Arthur.]Frank (loud). Hey, Artie. Come on in.Arthur. Hello, Frank . . .Frank (laughing). What can I do for you? (Arthur looks hesitatingly at Roger.) Oh, sure. Rog, go help yourmother.Roger (annoyed). Okay . . .[He walks off to dining table.]Frank (chuckling). That's some kid, isn't he,Artie? How old is yours now?Arthur. Twenty-one months.Frank. Yeah. Well, that's still nothing but a crying machine. Wait a couple years. He'll kill you.Arthur. I guess so.Frank. And how! Sit down for a minute, Artie. What's on your mind?Arthur (sitting. Hesitantly). Well, I don't know . . . I just . . . well . . . I just wanted . . . to talk.Frank. No kidding. Say, y'know you look a little green around the gills? What's the matter?[Arthur Hayes takes off his eyeglasses and begins to polish them, a nervous habit in which he indulgeswhen upset.]
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Exploring Conflict and Heroism in Thunder on Sycamore Street and The Odyssey - Page 5 preview imageArthur. Nothing. I've had an upset stomach for a couple of days. Maybe that's it.Frank (nodding). Yeah, that'll get you down all right. Probably a virus.[Arthur nods and they look at each other awkwardly for a moment.]Frank. Well, what did you want to talk to me about?[Arthur looks at the floor, trying to frame his answer carefully, afraid to offend. Finally he blurts it out.]Arthur. What do you think about this thing tonight?Frank (surprised). What do you mean what do I think about it?Arthur. Well, I've been kind of going over it all day, Frank. I talked with Phyllis before.Frank (a little hard). And . . .Arthur. Well, it was just talk. We were just talking it over to get clear on it, you know.Frank. Go ahead.Arthur. And . . . well, look, Frank, it's a pretty hard thing. Supposing it were you?Frank. It's not.Arthur. Well, I know that, but supposing it were?[Frank stands up and goes over to Arthur.]Frank. Your glasses are clean. You wear 'emout, you have to buy a new pair. (Arthur looks down at hisglasses, then puts them on nervously.) Now what about it, Artie? What if I was the guy?Arthur. Well, you know . . . how would you feel?Frank. How would I feel, huh? Now that's a good question, Artie. I'll answer it for you. It doesn't makeany difference how I'd feel. Now let me ask you a question. Is he a lifelong buddy of yours?Arthur. Well, now, you know he's not, Frank.Frank. Do you know him to say hello to?Arthur. That's not the idea. He's-Frank. Artie . . . you don't even know the guy. What are you getting yourself all hot and bothered about?We all agreed, didn't we?Arthur. Yes . . . everybody agreed.
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